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خواطر :
الحياة الدنيا مثلها امرأة ، تراها من بعيد جمالا براقا لتكتشف أن كل شيء فيها مصطنع ... من رموش العين إلى احمرار الخدين والشفتين إلى طاقم الأسنان الناصع البياض...   (بلقسام حمدان العربي الإدريسي) . 

Environmental art by Qusay Tariq

بواسطة: قصي طارق qusay tariq  |  بتاريخ: 2013-04-17 ، الوقت: 22:59:26
  • تقييم المقالة:

 

 

 

 

 

 

 Environmental art isoneoftheartsthatwere inspired bytheheritageof the environmentintheaestheticreformulationartisticaestheticstereotypingcompleteconfinementof this art, anditturnedneglectedtovisualvalue. There is no doubtthat any businessecosystemis the result ofcarebeauty,which is associated withartin all its forms, which means that the workof environmentalart workby all standards; hascometo mindthat the wordecosystemis primarilyconceptsAcademyconnected insciencespsychology, education and behavior,becausethe conventionaltechnicallyassociated withbeautyand intellectsuch as painting, sculptureandartofmodernanditsvariants, the lack of environmentalartcalled, can weconnectthiscreativeart?.....We can find environmentalartplacedinahistoricalmodelsestablishmentsasart sinceitsearlybeginningswas notpurelyaestheticcarriesconnotationsas it wasmeantpracticalaspects oftheprocess-oriented andfunctional..Utilitarian, asoutcomeswere notatthetimetheproductsofaestheticfor the purpose ofmeditation,

 

 

 

 

butaccompaniedbymagicalritesandpractices, religious or mythologicalpracticalorutilitarianpurposeswerethoseproductionsfindthebasicsinspiredsourceenvironment..Severityandtechnology, environmentandbehavior, andsoconstructionofthezigguratcity of UrTheSumerianscarrythesamestandardstowhichwereferredatthebeginningofour conversation, as well as in the case ofthestatue(the Sphinx) in Egyptian art..

And twistedSamarrainIraq, andthattheseoutcomesarenotaccompaniedintheaestheticexperienceatthelevelofacertaineliteofsociety, buthave a historyand meaninginthesenseofthecollectiveunconsciousgenerallyeachnationisconcerned with allstrata of society.Asamessagewiththeaestheticcodesproducedby thepopularwill, and so thecasewhenlooking at thecodehistoriccivilizationpurelyaesthetic..We findhimreferencesandconnotationsandcouplingin the behavior ofthegroupandthe nature ofhisbeliefs, motives and tendenciesandvaluetrends. And twistedSamarrainIraq,

 

 

 

 

 

   

 

andthattheseoutcomesarenotaccompaniedintheaestheticexperienceatthelevelofacertaineliteofsociety, buthave a historyand meaninginthesenseofthecollectiveunconsciousgenerallyeachnationisconcerned with allstrata of society.Asamessagewiththeaestheticcodesproducedby thepopularwill, and so thecasewhenlooking at thecodehistoriccivilizationpurelyaesthetic..We findhimreferencesandconnotationsandcouplingin the behavior ofthegroupandthe nature ofhisbeliefs, motives and tendenciesandvaluetrends.

And twistedSamarrainIraq, andthattheseoutcomesarenotaccompaniedintheaestheticexperienceatthelevelofacertaineliteofsociety, buthave a historyand meaninginthesenseofthecollectiveunconsciousgenerallyeachnationisconcerned with allstrata of society.Asamessagewiththeaestheticcodesproducedby thepopularwill, and so thecasewhenlooking at thecodehistoriccivilizationpurelyaesthetic..We findhimreferencesandconnotationsandcouplingin the behavior ofthegroupandthe nature ofhisbeliefs, motives and tendenciesandvaluetrends.

It is no doubt thateach environmentof environmentstransformationsand the secrets ofits own meritsandthe nature of thematerial andits climateand compositionstructure ofmentalwithits members andcollectedthe resultingbehaviorsconsistentwith the trendthatoutputoverallwithspecificationsenvironmentalbut it is aresult ofthehuman willthatbringsvalueaestheticthat during thedialectical relationshipmutuallyoppositebetween the artist andtheenvironmentregardless of thepractical aspects ofartisticproductioninthecountrysideis theotherin the city andtheartisticoutputinadesertenvironmentholdsaestheticspecificationsdifferfromother environments.

 

 

The environmental artcould findapplicationsinitscontemporaryformwiththeBauhausmovementfounded in thecityofWeimarin 1919, ledby(WalterGropius), andallof(Vasily) and(PaulCollege) and (Joan Miro) andothers ..Itcontributed tothis movementpublishtheir ideasand their applicationsaestheticinEuropean countries,thenafter thefightby the Nazi regimeat the time,also appearedthattheartistic movementincludes a number ofpainters inNew York ashe foundapplicationsina groupof art fromthe Japaneseappeared in(Kortaa ) during the year 1925andartistswhohaveappearedthisart(and literKaundk) and( Ooldenbrg ) and(FINE James), and others.

 The environmental artfeaturesspecificationcan be agreedto some extentit istheartofopenspacesand the nextit differs fromtheartsalons andhallsclosedie itisnottheartthattheartelite, regardless of publictasteandculturaldisparitybetween the layers ofsociety..Also

 

calledartcitiesasavitalpartofcontemporaryurban planning, which aims to decorateandmodernizationofcitiesandgiveatingeofjoyandasenseofjoyandpleasuretotheviewers..And, for example, canbefeltthroughtheartisticproductionsofthesculpturalexample(Henry Moore) whicharetheproductofsculpturalvocabularyenvironmentalvitalityinthemiddleyou are inthis business.

 

 The outcomes ofenvironmental artfeaturesizeslargeto some extentas afacevariablesspeed, movement and volumespacesand the effects ofthe outside world,and someisthe product ofa synthesis ofdifferent materialsand some ofthe otherartdecoratethefacades ofarchitectural andothersemphasize theidlerand transformationsbeautyor confirmthemepopulardailytransitand confirmits vitality.
These productionstechnicalenvironmentalinseparable fromvariables andsocio-economic impacts, political and cultural productionsenvironmental arthasties tobehavioralsocialPercenterof the mediamass, as it carriespersonal characteristicsthis medium, and these outcomesassociated withthe nature of theculturecenteroutsideand are thereforeassociated withgeneral andhisoverall aestheticandbeliefsandthe nature of theorientationsof politicaloutcomesof art insocialist societiesothersin other communitiesin politics,its crucial rolein the developmentand formulation ofthis trendmediahave, as thatof the industrial revolutionand technologicalsecretionsand their impactin this area, since the strength ofthe economyincountriesaffects thestructure ofthis business.

 

 

 

 

 

The environmental art is an attempt to mate between what is creative self representing artist's creative capabilities and what is objectively represent raw materials and external issues and the nature of its ties to foreign secretions ..It also is an attempt to reorganize the middle environmental external vision self open to tasting the center of mass and popular, such as message aesthetic addressed to him and that does not mean necessary to be contents of these productions and realistic purely but can include vision aesthetic and cultural symbolism or future or surreal or vehicle in accordance with The requirements, which aims to artistic output ..

 

 


And may include products of murals painting and sculpture, ceramic, or architectural works of art ... And that these artistic productions characterized by its national character and national and humanitarian Webb totalitarian language and aesthetic dimensions of patterns and uneven levels and installation levels stylistically expressive implications and symbolism of historical references civilization.

 

 

 

 

 

 

 

 

 

 

 

 


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